Caroline Desnoëttes is a socially conscious and optimistic artist who, for the past dozen years, has been exploring the coevolution of living things through a radical, understated, and contemporary technique. Closely connected to her audience, she openly shares the creative process and meaning behind her works through accessible yet always thought-provoking presentations.
The hybridization of plants, humans, and other animals lies at the heart of her work, serving as both a tribute and a manifesto to draw attention to threatened habitats, species, and resources. Her performances, installations, and exhibitions evoke the symbiotic relationship among living things as they intertwine within an ecosystem.
Caroline Desnoëttes develops and experiments with a wide range of innovative media and biomimetic techniques. She pushes the boundaries of paper by causing cascades of thousands of colored droplets to bloom, thanks to her “living tapestry” technique. She crumples, weaves, and reinterprets survival blankets—fragile, protective membranes of life. She repurposes and braids seaweed. Her drawings of hybrids are unusual encounters with our distant, imaginary cousins.
Caroline Desnoëttes’ work is, ultimately, an ongoing exploration that fosters a dialogue between art and science: she collaborates with researchers from the CNRS, the Sorbonne, Ifremer, the Roscoff Biological Station, the Universities of Rennes and Perpignan, as well as stakeholders in the circular economy to discover, invent, and transform regenerative materials into works of art, anchoring her practice in an ecological, collective, and interdisciplinary approach.
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« HAVE YOU EVER FELT A LITTLE ANIMAL, PLANT, MINERAL, AQUATIC OR COSMIC? I HAVE…… »

A journey through living waters: some 60,000 paper elements form an aquatic continuum, an organic tapestry of the planet’s waters. With Eaux vives, visual artist Caroline Desnoëttes presents a monumental work at the Collège des Bernardins.

“Eaux vives”: matter as meditation. The Collège des Bernardins resonates deeply with the work of Caroline Desnoëttes. Her monumental installation “Eaux vives” unfolds as a polyptych of five bas-reliefs: skies, abysses, forests, seabeds and celestial clouds answer one another in a vast organic tapestry. Driven by an ecological commitment to material restraint, the artist worked alongside a bioacoustician and an oceanographer to weave art and science into a single meditation on the beauty and vulnerability of the living world. The sound and light creation that accompanies the reliefs completes this “total experience”.

Rediscovering the harmony of the living world in monumental works

Hybridisation is at the heart of Caroline Desnoëttes’s approach

A great defender of the living world, this visual artist works with scientists, showing that a poetic dimension always accompanies the truths of science.

Her art pays tribute to the power and beauty of the living world, and to its fragility too. The artist works on the symbiotic relationship of living things, on the connection between plants, human beings and animals.

A manifesto exhibition, poetic and committed, by Caroline Desnoëttes. Monumental sculptures, hybrid forms and natural materials compose a sensitive ecosystem, a tribute to Jean Delacour’s dream: a paradise for the living, free from predation and destruction.



